I attended the Boston Psychoanalytic Society and Institute’s (BPSI’s) film night at the Coolidge Corner Cinema in May, where The Lovers was on the screen and “off the couch” in the discussion that followed. In this film (spoiler alert) a middle aged married couple carry on long term, lackluster affairs with needy lovers and avoid each other at home, each hoping the other has to “work late” again. The action, slow and almost painfully protracted, is as if choreographed in slow motion; the BPSI discussant likened it to a silent film in this regard. Indeed, there is little language. We feel the unhappiness, the boredom, the stuckness of this couple not only with each other, but with their whining and threatening lovers who are demanding that their slack partners tell their spouses they will be leaving the marriage immediately. The symmetry of the situation is near isomorphic, and to be fair, this part is a bit funny.