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More Movie Analysis: The Lovers

I attended the Boston Psychoanalytic Society and Institute’s (BPSI’s) film night at the Coolidge Corner Cinema in May, where The Lovers was on the screen and “off the couch” in the discussion that followed. In this film (spoiler alert) a middle aged married couple carry on long term, lackluster affairs with needy lovers and avoid each other at home, each hoping the other has to “work late” again. The action, slow and almost painfully protracted, is as if choreographed in slow motion; the BPSI discussant likened it to a silent film in this regard. Indeed, there is little language. We feel the unhappiness, the boredom, the stuckness of this couple not only with each other, but with their whining and threatening lovers who are demanding that their slack partners tell their spouses they will be leaving the marriage immediately. The symmetry of the situation is near isomorphic, and to be fair, this part is a bit funny. [Read More]

The English Patient

By Dr. Mara Wagner. My class this semester, Unconscious Dynamics in Film, recently discussed The English Patient , and with their permission, I decided to write it up as an example of what goes on in a course such as this. The film offered what one student called “a great primer” for the beginning of the semester (Bianca Grace). The weekly assignment had directed the students to think about wishes in conflict, to seek and document evidence of their inferences about unconscious dynamics, and to discover the wish represented as fulfilled in the film as a whole, as if it were a dream. We looked at clinical challenges and transformations in the characters as well. To these ends, we engaged in much the same process as the mis-identified patient, piecing together the unconscious story that was layered throughout the film and uncovering as much meaning as we could in the limited time we had. [Read More]